Sunday, November 29, 2009

My Classics - London Calling

The Clash...The Only Band That Matters. What an audacious claim and while maybe not entirely true this is one band that changed things for me muscially at a pivotal point in my life. I was never a "punk". Too big, too much hair (then at least) and I like too much of what is now classic rock to fit the mold. However back in the late 70's there was a ripple in the force. I was beginning to hear about this music here and there which wasn't easy on Long Island which was divided up between the rock and disco fans (truth be told I think disco was winning at this point). I would go back and discover others in the genre and indeed devour the entire Clash discography but for me this is the album that summed up the period.

I remember watching the Clash on Fridays with some friends and they just didn't get it. In fact all of them pretty much walked out but I was so into it. I hadn't seen anything like this previously.





London Calling signals the arrival or demise of punk depending on your perspective. No doubt it was a change in terms of sound from all previous punk albums but the initial assault of London Calling > Brand New Cadillac sure sounds punk enough to me. However there is a refinement of sound here. The production was superior to all the other punk releases and the band themselves were growing. They were already tired and constricted by the formulaic nature of this type of music. Trips to Jamaica and the influence of ska and reggae was already changing their sound considerably as dub music would on the next album.

Pop music, actually a couple of brilliant pop songs in Lost in the Supermarket and Train in Vain signaled a new direction as well. This wasn't all beat you over the head music. Great songs were now played very well and the songwriting is pointed and dare I say polished. This isn't a great punk record it is a great rock record. In fact I still play it quite often to this day. I can't say the same for the other punk albums of the era or the other Clash albums for that matter. This one just gets it done on so many levels and it opened up my ears to new styles and sounds like other has either before or since.

This one never fails to get me to drive a little too fast...


They never repeated this one but even if it was all they ever did it leaves a remarkable imprint on mine and others music psyche's that will never be erased. I thank them for that.

Friday, November 27, 2009

Back to Vinyl

After all these years I am biting the bullet and going back to vinyl whenver possible. I miss the warmth of records compared to the CD. That and the mastering on most new releases sucks big time. Can anyone recommend any good web sites?

Thursday, November 26, 2009

Sunday, November 22, 2009

Tommy Castro and Coco Montoya at the Boulton Center

Coco Montoya




Tommy Castro
Great night of Rockin' Blues yesterday at the Boulton Center in Bayshore out on Long Island. Tommy Castro and his smokin' hot band ripped it up for a 90 minute set that relied heavily on his material from his latest CD "Hard Believer". This band really cooks up a soulful, bluesy mix that is not to be missed. These guys have some serious fun up there and it shows. The crowd was on its feet shakin' it to James Brown's Sex Machine at the end. Great fun!


I've seen Coco Montoya before but never as the headliner. Coco played guitar back in the 80's with John Mayall's Bluesbreakers (along with Walter Trout) so you know he can play and play he did for almost 2 hours of killer blues with a bit of soul. A very extended Have You Heard About My Baby from that first Bluesbreakers album was a standout as was Good Days, Bad Days. It's a little strange watching a lefty from up close, but there is no denying his talent. Coco needs to be heard by more lovers of blues guitar. Check him out if you get the chance.