Oh shit yeah! Rock & Roll is back in 2009. The new Lucero hits October 9th and while this is their major label bow, the music still the same glorious rock & roll that you have come to know and love. It you don't know it and love it get out there now and get some! Replacements meat Uncle Tupelo meet Springsteen. Whatever. This is just a great rock & roll band. This one has some Memphis horns for ya too. Rock album of the year kids. Here's a blurb from
Amazon.
Lucero's sixth studio album and major label debut, 1372 Overton Park, is produced by Ted Hutt (The Gaslight Anthem) and featuring horn arrangements by legendary Memphis session player Jim Spake (Al Green, John Hiatt, Solomon Burke, Cat Power), the record marks a decided turn toward the Memphis soul sound that has long informed the band's records from afar. 1372 Overton Park follows the band's 2006 release, Rebels, Rogues & Sworn Brothers, hailed by Pitchfork as "the best showcase for the band's taut dynamic yet." The new album's name comes from the address of the Memphis loft in which all four band members lived, practiced and even recorded portions of their 2003 release That Much Further West (the history of the space itself is even more colorful-- in the `70s, 1372 Overton Park was a karate dojo where local resident Elvis Presley, among others, took lessons). Over recent years band members have gradually moved out leaving lead singer and guitarist Ben Nichols the sole resident of the space until word finally came down that the building would be sold and demolished. Almost as if marking the end of an era not only for the building but for the band as well, this record turns the page and signals a strong move toward the Memphis soul sound that has long served as an influence for the group. Nichols explains, "When [saxophonist] Jim Spake put that first horn track down, we began thinking of the record as having a certain sound. We heard pieces of Memphis history being played over our songs and it floored us and we just went with it." While 1372 Overton Park serves as a love letter to Memphis and its musical heritage, the band has far from abandoned the country/rock/punk influences that they've become known for over their previous five records and countless tour dates in front of rabid fans. "I think the fact that we don't claim a genre is very important to what Lucero is," according to Nichols. "There are too many rules in punk rock. Too many rules in country music. We're hard headed and...god damn if we don't do things the way we want to do them." Playing between 150-200 live shows a year, Lucero has come to be known as much for their hard-touring work ethic as for their critically acclaimed records. In addition to his work with the band, lead singer Ben Nichols also released a solo record in early 2009 and co-stars in MTV's $5 Cover, a series about the Memphis music scene.
Here's one I stumbled upon recently and it is really one that I find myself playing quite a bit. Damron, formerly of I Can Lick and Son of a Bitch in the House has recorded a pretty damn fine album here. The vocals have the whiskey soaked quality to them that I like, think Lucero, Drive-By Truckers, etc. 
